Texture and Pattern in Acrylic

In November 2012 I did a demo using acrylic for the Texas Area Artists, an art association in Mesquite. The president is Judy Emig, an old art friend of mine. The group meets on the first Sunday afternoon of the month at 2 p.m. in the wonderful Mesquite Arts Center.


photo by Mary-Charles Strickland

The demo featured acrylic on a textured surface with stamping and stenciling for even more texture. For the grounds on illustration board, I used light modeling paste. I applied the modeling paste over a stencil with a paint scraper and pulled the stencil off, leaving a swirly pattern. I also applied the paste with the scraper to drag abstract texture over the whole piece. Other ideas for texture that I have used: gesso over cut and torn paper or over used laundry sheets. The paper can be newspaper (not acid-free), cardstock, crumpled rice paper or tissue paper — almost anything.

For the composition, I used one I had previously invented for the collage “Chit Chat.” It’s a primarily gestural drawing of four women. I used handmade stamps to add texture to the painting, made out of cut foam and eraser material. Also another stencil in a different pattern.

Regarding color, it was done mainly in complementary red and green, with blue for a contrast color, plus neutrals black, white and grey. To make things pop, I paid attention to value contrast, and to integrate the painting, carried the colors around the composition. Other contrasts: square shapes vs. curvilinear, small vs large, warm vs. cool. I didn’t finish completely even though I paint quickly, so I finished up at my studio at home.

photo by Mary-Charles Strickland

So I made a few changes major & minor — I gave the women faces, tightened up the drawing, and moved color more around the painting. Also pushed the figure on the right more into the background.

“Gossip” acrylic / watercolor crayon painting 16″x20″ on illustration board

Also demo’ed my new GelliArts gel printing plate — more about that wonderful new invention soon.

UPDATE August 2013:

The painting has evolved even more. In May I took it to one of the group critique sessions run by Maureen Brouillette. She and the other artists had several suggestions. They didn’t like the green dominance, so I pushed the blue. Now the blue-orange complementary vibration is more visible instead of orange-green. Also the hand of the striped figure was awkward, so I eliminated it by putting her arm behind her. They thought the figure on the edge was distracting, so I pushed it more into the background.

PatternOfGossip1800

As mentioned before, the composition itself was based on my collage “Chit Chat”, so here is that artwork for comparison:

ChitChat1800

So which version do you like the best? I still have a preference for the collage “Chit Chat” since I’m really into pattern. It’s close to monochromatic though, and I really love the color vibrancy of the last version of “Gossip”. But texture is probably more important on a collage than color.

Should I have stopped at the first (faceless) version of “Gossip”, the second (orange-green) or is the third (orange-blue) the best?

Update March 2014: “Pattern of Gossip” has been accepted into the 2014 Society of Watercolor Artists International Exhibition. The orange-blue final version is vindicated!

Tempera and Printmaking with the Gelli Plate: Working with Kids

Last fall I became a Gelli printmaking addict. For those who haven’t discovered it yet, the Gelli Arts Plate is a permanent “gelatin” plate that allows you to do monoprinting without a press. To see what that involves, check out the GelliArts website at gelliarts.com for a FAQ and video demos.

To me, it’s a natural idea to put children and gelli printing together. The only thing that concerned me was using acrylic paint. You can buy nontoxic pigments, of course, but it’s difficult to get out of clothes. You can actually use almost any kind of paint or ink with the plate, so I decided to experiment with tempera paint, which is nontoxic and can be washed out of clothes, although some colors do stain.

Every year artists from the Irving Art Association participate in a Christmas Card Workshops series held during the Holiday Open House at the Irving Arts Center. We help young children create cards by providing stamps and art materials, as well as such art activities as doing face painting, assisting with Spin Art, doing name calligraphy, creating “Santa Portraits”, etc. I envisioned the children creating holiday art with the Gelli plate.

Of course, when the parents bring their children to the Holiday Open House, they are all decked out in their holiday finery — so unsuitable to do art in. I had visions of red, green and black decorated lacy cuffs, ruined fancy outfits,  and parents cursing us under their breath. So we switched the spin art and printmaking activities to tempera paint. (Note that there are some varieties of kid paint called washable paint that are too transparent to work well in printmaking.)

I looked at finding holiday-theme stencils to work with, but decided to make my own cut-outs to work as masks to save money. I made them out of cardstock, but next year I’ll spring for some plastic stencils and make my masks out of sturdier materials. I did buy some cheap die-cuts through Etsy with holiday sayings to expand the offerings. I went for simple holiday shapes like stars (both five-pointed and Christmas beacon), holly, Christmas trees, presents with bows, and ornaments. Also, some more complex ones like snowflakes, Santas and reindeer — a number of these were torn or fell apart. Since Irving is very multi-cultural, I also included Hanukah and Kwanzaa themes also.

Rather than have children sorting through the fragile masks, I made prints of the all designs and put them into a design book where they could pick out those they wanted. So while I was assisting one child in printmaking, another could be deciding what designs they wanted.

Showing pages from the design book and masks created

Showing pages from the design book and masks created

Doing the printmaking with the children was an enjoyable (and manageable) one-on-one process. First I asked them which designs they wanted, what colors to use, and what paper. I had the basic holiday colors: red, green, blue, white, black, purple, and even turquoise. Also metallics in many colors (very popular choice!) For paper we had white or off-white cardstock and red or green  colored paper.

The Gelli plate that I used was the medium sized 8×10 and the paper, letter sized. To avoid messes and the use of too much paint, I squeezed the small amount of paint required onto the plate, positioned the brayer and had the child roll out the paint and cover the plate.

Then I asked them where on the plate they wanted the designs placed. If the child was preschool, I placed the masks for them. If older, they did it themselves. (And sometimes had to do it over, if they didn’t listen to the warning not to move the design after it was placed.) When everything was ready, I covered the plate with the paper and demonstrated how to rub it to take the print.

Then I removed the paper from the plate and showed them the result. I loved watching the faces of the young artist and their parents light up when they saw the art they’d created. Sort of like doing a magic trick!

I do hope that the children didn’t feel that the process was too controlled, but they all seemed to have a good time, plus we didn’t have any clothing casualties. I am not experienced at handling a mass of children, so this individual interaction worked great for me. And I had a really good time!

The last step was to put their art on a table to dry — usually for 5 to 10 minutes. If too much paint was used, it could take a half hour or more to dry and was usually forgotten.

Next year I hope to have an additional plate and volunteer to work with me during the Holiday Open House. There was always a line of kids wanting to do gelli printing!

I have since worked with the gelli plate and tempera in printmaking at an art reception at the West Irving Library. For this I used plastic stencils and stamps. Both children and adults played at printmaking.

Next I’m taking gelli printing to the Kids Wildlife Safari —  for which I am collecting stencils and making masks of animal shapes, particularly African wildlife and dinosaurs. I’m also volunteering for the IAA booth at the Irving Main Street Event festival. And plotting again to have fun at holiday time…