Acrylic/WC Mixed Media Flower Workshop May 13

Pink Radiance

Saturday, May 13 10am – 3pm (one hour for lunch)

Held at the Jaycee Park Center for the Arts, 1975 Puritan, Irving TX 75061 (home of the Irving Art Association)

Create beautiful abstract flowers!

Start loosely and playfully with transparent watermedia, then create a whimsical design with negative painting and your favorite mark-making tools.


Watermedia – bring your choice of liquid acrylics, acrylic inks, Golden High Flow acrylics,  tube watercolors (sorry, pans are too wimpy) and/or alcohol inks (the last is not permanent).

Bring one tube of white acrylic. (Instructor will bring other colors)

Your choice of mark-making tools – could be acrylic markers, regular markers (not usually permanent), sharpies (not permanent), colored pencils, watercolor pencils, watercolor crayons, gelatos or gel sticks (not permanent), graphite pencils, pastel sticks or pencils, oil pastels, etc. Bring what you have but I recommend purchasing a white sharpie.

Joie De Vivre

Bring one 11×14 or 12×12 canvas or canvas board. Instructor will also supply one small sheet of yupo. You can also bring a small watercolor or acrylic painting you want to transform.

Other tools: Brushes in different sizes, water container, paper towels, and apron. Droppers or pipettes, and dipping pen or calligraphy pen if you have one.

For inspiration, bring pictures of flowers, vases and simple patterns. The instructor will also bring ideas for patterns and extra supplies.

Register by emailing or calling 972-570-7565 or by PayPal payment. Cost: $45 ($40 for IAA members). Pay by check or PayPal below to the instructor Sharon Giles:

choose IAA member or nonmember
IAA Member $40.00 USD
Nonmember $45.00 USD

Here’s an example of an old painting transformed by some of the same techniques:


Taking the 60th IAA Challenge!

IAA60thBRlogoI am a long-time member of Irving Art Association, which is now celebrating its 60th Anniversary with a special challenge category in the annual juried membership exhibit. The challenge entry has to relate in some way to the Irving Art Association or the 60th Anniversary. Entry deadline is May 3, 2105.


So I reviewed my old photos of IAA and selected three figures viewing paintings to incorporate into a monotype started on my Gelli Plate. I used the thinner acrylic paints from Golden (liquid and high flow) for transparency, thinned with medium. If you layer yellow, red and blue, you can almost achieve a black.

I created masks for then letters “IAA” and numbers “60” as well as the figures and rectangular painting shapes. I sequenced colors from the lightest (yellow) to the darkest (blue). Here are some illustrations of the process, which involved six layers of printing using acrylic, stencils and masks.

showing cut masks on gelli plate

showing cut masks on gelli plate

First layer of yellow - the medium picked up residual paint on the plate

First layer of yellow – the medium picked up residual paint on the plate

showing tape on the back of a mask, which were stuck to the watercolor paper

showing tape on the back of a mask, which were stuck to the watercolor paper

second layer of yellow on print

second layer of yellow on print

layer of orange (masks are still attached)

layer of orange (masks are still attached)

ultramarine layer added

magenta and blue layers added (on top of masks)

Magenta and Thalo blue layers added

magenta and blue layers added (masks removed)


This is as far as the monotype process goes. It looks like an unpromising mess, but I’ll do my best to pull interesting images out of that! The rest is alteration with colored pencil and brushed on acrylic. Sneaky negative painting techniques….

lines added to figures to start to separate them from background

lines added to figures to start to separate them from background


Transparent dark blue background layer added by painting directly to pop figures and logo. Blue and orange painted hair. Logo changed to orange.


Now comes the evaluative process…wow, I’ve got a lot going on. Somehow I decided that this would be an orange-blue complementary color combination. Unfortunately, in color field extension theory, the most pleasing combo of blue to orange is 3/4 blue, 1/4 orange (next would be the reverse). So I’ll have to make some changes — maybe I’ll paint the areas that I want to turn blue, white first, then recover them.

And where is my focal point?  Got to decide although I could contemplate going for the checkboard effect design structure first. It’s almost there.

I love these paintings where I don’t know exactly where I’m going – you can get some pleasant surprises when your paintings evolve. Or not. O well, it’s only a paint struggle, not like the major surgery I just went through.

About seven brief sessions of tweaking ...I scan and discover more is needed

About seven brief sessions of tweaking …I scan and discover more is needed

Finished? Maybe.

“The Critics (IAA 60th)” – Finished? Maybe.


This is the part where I try not to work the painting to death, but accomplish my aims. So I adjusted the orange to be a little less saturated and changed some areas to blue tones. Now there’s a lot more blue, and I’m liking it more. I’ve also added more yellow and magenta, so there’s almost a primary color effect going on. It is a little garish, but it’s happy.

I’ve stayed with the idea of the checkerboard design structure, even though the top and bottom are close to equal. And the main subject is close to the center – well, if I like it what does a design no-no matter? Tried also to improve the mini-compositions of the paintings. Contemplating simplifying even more. I have a few more days left before I have to submit the artwork for the exhibit, so things may change more.


Update: Yes, I had to meddle more with it, further define the checkerboard pattern, and repeat the chevron pattern in the mini-compositions. Plus there’s more happy blue and yellow. Stopping now, I’m telling myself. I need to work on my third entry. Not everything has to be a masterpiece, it’s really all about the process.


Finished version “The Critics (IAA 60th)”


“The Critics (IAA 60th)” didn’t win the Challenge prize, but it get 3rd place in Mixed Media at the Irving Art Association 2015 Members Juried Exhibition.

Also, I had the piece critiqued by Jane Jones, so I may follow some of her suggestions after the show is over and tone down more of the orange and intensity, going for still more blue dominance.